Four moves.
One timeline.
Tag a First. Tag a Last.
Get the seconds between.
Pick the frame where a shot should start and the frame where it should land — on the timeline, or any still from your vault. The model makes the move in between and it drops into the gap. The clips around it trim to the tags, so the join has no jump.
“Day slowly turns to night.”
A First or a Last can be any frame on the timeline, a still from your vault, or a frame you edited a moment ago.
Trim the clips to the tags and the Bridge starts on your First frame and lands on your Last — exactly, not roughly.
Most models make sound with the picture. The H3 family makes silent clips, so the sound around it carries through.
Score it
without leaving.
Music, a voiceover and the sound already inside your clips all live on their own tracks, under the picture, on the same timeline.
Your hands
already know it.
Switch the shortcut set to the editor you learned on. Final Cut’s blade is ⌘B. Premiere’s is ⌘K. Ours is S. The toolbar tooltips follow whichever you pick.
Works like the magnetic timeline: Delete ripples, ⇧⌫ leaves a gap, and trims close up behind them.
Made in your browser.
Free, every time.
Edit on every card.
Every video in your Library carries an Edit button beside delete. It opens a new cut with that take on the timeline, playhead at zero, ready to trim.