Stand-ins
Your hands touch something real.
So the swap lands at the right size.
The old bike tells us where the superbike stands and how big it is. Your grip on the paper bag tells us how to hold the new one.
An old bike → a superbikeLean it on the garage door. A matte black superbike stands on the same spot, at real full size.
A paper bag → a luxury bagToss it and catch it. The orange shopping bag flies the same arc and lands in your grip.
A hatchback → a white sedanWalk past the family car. A white luxury sedan sits in the same space, at the same distance.
How it works
Film. Mark. Describe. Make.
▶
● RecordUpload a video
Up to 30 seconds · MP4, MOV or WebM▣Use stand-in propsYour hands touch something real, so the swap lands at the right size.
➚Point at what will changePointing and touching tell us where to put it.
◎Keep the camera steadyLean the phone on something.
● Mark
10:00.9
20:02.5
30:05.4
40:10.1
The whole video
A new outfit, start to finish.
Or a new place, too.
Moments change one thing at one time. The whole-video step changes what lasts: what you're wearing and, if you want, where you're standing. Your face, your voice and the light stay as filmed unless you say otherwise.
My lookworn the whole timenavy double-breasted blazer with gold buttons, white crew-neck t-shirt, cream chinos, tan leather belt and brown suede loafers
The place
Keep it as filmedChange it to…
The driveway stays exactly as filmed.Keep as filmedMy faceMy voiceThe lighting
Every run is a take you keep.
↻Nothing replaced
Try again and you get Take 2. Fix one moment and you get Take 3. Every take stays in your vault.
0Nothing charged on a miss
If it doesn't work, you see why in plain words and nothing is charged.
✂Straight into the Cutting Room
Trim it, score it, bridge a missing shot — the take opens on the timeline.